Essay --

Adolf Eichmann Imagine a life of hiding in fear from being killed and hunted down, which is what the Holocaust was. During the Holocaust everyone believes that Hitler is the one to blame. This is partially true, he does deserve most of the blame yet Adolf Eichmann shares some of it being one to help send over 6 million Jews to death in centration camps. It all started while Eichmann was a little boy. Adolf Eichmann was born on March 19, 1906 in Solingen, Germany. He and the rest of his family moved to Linz, Australia while Adolf was in Grade School. Believe it or not his best friend growing up was Jewish. His mother died while Adolf was at a young age and his father remarried promptly after. Adolf was the only one to fail out of his high school and not graduate of his family (Ruth 10-12). Adolf Eichmann’s father put him into a school to become an engineer out of desperation for his son to succeed. Adolf Flunked out of that school just as he had in high school. His family thought of him to be a disappointment. His father started a mining company and employed Adolf but he didn’t do well at that job either. Adolf’s father pushed him to excel but Adolf just had no desire to work. Adolf would soon leave the mining business and join the army rather than to stay and work for his father (Ruth 12-15). Adolf Eichmann joined the army in an effort to alleviate boredom but ended up getting bored. He thought that it was repetitive, doing the same thing every day, all day. He told his drill instructor that the only reason he was doing so well was because his father would not buy him some new gloves and he was angry because of that. His anger made him surpass the rest of the soldiers. Adolf was promoted to the Austrian Legion. The Austrian L... ...ny responsibility for his father's actions and is content with the penalty the trail gave his father. Ricardo was the youngest of Adolf's sons. (Coffee with Eichmann Ynet) Adolf Eichmann was found guilty of his crimes against Jewish people and was sentenced to death. Eichmann was hung on June 1, 1962. He was cremated and his ashes were put in the middle of the sea off the coast of Israel. His final words were very long. He talks about how he was just following orders which is true but that doesn't make it any more right to aid in the killing of over 6 million Jews. Eichmann said, â€Å"To sum it all up, I regret nothing." (Coffee with Eichmann (Ynet) Eichmann was truly evil and deserves a lot of the blame. He deported the Jews to the concentration camps. He was involved in sending over 6 million Jews to their death. He was a coward and fled the country after the war.

Polymers :: essays research papers

Polymers are large molecules composed of smaller molecules called monomers. Monomers are produced and either grow together or are assembled to produce a single polymer. There are synthetic and natural polymers. Some examples of natural polymers would be wood, starches, fingernails, and hair. Synthetic polymers are usually referred to as plastics. Petroleum, is the primary monomer used to produce polymers. An English chemist named Alexander Parkes was the first scientist to produce the first synthetic polymer in 1862. John Wesley Hyatt, an American, was the first person to produce a useable polymer two years later. He named the product celluloid. The prime virtue of polymers is a high strength-to-weight ratio. Industrial-strength polymers surpass titanium in tensile strength. To add strength and improve flexibility, polymers are sometimes fortified with short-fiber additives, mostly fiberglass. This is known as a polymer composite. One particular polymer has three times the strength of tempered steel and is being used in bullet proof vests. Another composite will be used to fasten together the sections proposed space stations. Polymers have also been used in cars, including the Chevrolet Camaro and the Pontiac Fiero. New polymers are being created with more strength and flexibility by combing two chemically different polymers and producing a block copolymer. Combinations of block copolymers and composites and intended for use in booster rockets and in materials of Earth-orbiting installations. Most common polymers are usually solid, but a new class of polymers is being introduced in a liquid crystal state. Although these polymers still have the physical characteristics of liquid, they are structured more like solids. Many liquid crystals are transparent at one temperature and colored at another temperature. This makes them suitable for use in liquid crystal displays, such as in digital watches, hand-held calculators, and lap-top computers. A new liquid polymer, consisting of a mixture of iron and nickel, is being used to make metal links that can be used in paper, glass, and on electronic circuit boards. Despite the development and widespread use of

The Glass Menagerie - Amanda Wingfield Essay -- English Literature

The Glass Menagerie - Amanda Wingfield If there is a signature character type that marks Tennessee -Williams’s dramatic work, it is undeniably that of the faded Southern belle. Amanda is a clear representative of this type. In general, a Tennessee Williams faded belle is from a prominent Southern family, has received a traditional upbringing, and has suffered a reversal of economic and social fortune at some point in her life. Like Amanda, these women all have a hard time coming to terms with their new status in society—and indeed, with modern society in general, which disregards the social distinctions that they were taught to value. Their relationships with men and their families are turbulent, and they staunchly defend the values of their past. As with Amanda, their maintenance of genteel manners in very ungenteel surroundings can appear tragic, comic, or downright grotesque. Amanda is the play’s most extroverted and theatrical character, and one of modern American drama’s most coveted female roles (the acclaimed stage actress Laurette Taylor came out of semi-retirement to play the role in the original production, and a number of legendary actresses, including Jessica Tandy, have since taken on the role). Amanda’s constant nagging of Tom and her refusal to see Laura for who she really is are certainly reprehensible, but Amanda also reveals a willingness to sacrifice for her loved ones that is in many ways unparalleled in the play. She subjects herself to the humiliating drudgery of subscription sales in order to enhance Laura’s marriage prospects, without ever uttering so much as a word of complaint. The safest conclusion to draw is that Amanda is not evil but is deeply flawed. In fact, her flaws a... ...r we will see that she is afraid of what will happen to a young girl of Laura’s position who is not married. Thus, Amanda’s emotions are mixed at present but will become clearer as the play progresses. Note how Amanda plays the revelation scene for all its theatrical effect. This is also a part of her character and prepares us for her giddy actions when the gentleman caller comes. One of Amanda’s admirable qualities is her determination. Once she has set her mind to a task, she goes about it with a determination that neither of her children possesses. It would be impossible to imagine either Tom or Laura dedicating themselves to a task with such complete zeal as does Amanda. It is, however, this dedication which makes her appear hateful to her children. It is as though both, especially Tom, were still youths whose every action had to be supervised.

Coursework Assessment Essay

In Patch Adams, Robin Williams portrays a doctor who strives to â€Å"improve the quality of life. â€Å"The movie is a perfect example of many cases of sacramental awareness and the sacrament of Anointing of the Sick. Patch encounters a â€Å"once-brilliant† man in a psychiatric clinic. Arthur Mendel son helps hunter the first character Patch meets is Arthur Mendel son. Arthur influences Patch’s ability to see through problems. In a Christ-like manner, we must see through and past the problems and look ahead toward the solution Christ died for our sins by looking past the problem. Patch also helps out his roommate, Rudy out. This brings on a revelation for Patch which lets him see through the scientific names of diseases. He learns to treat the person, not the disease. When he agrees to become a doctor, Patch is not only venturing into the field to physically heal people but also more importantly to spiritually heal people. This parallels Anointing of the Sick after meeting his two close friends, Truman and Cairn, Patch desires to reach out and help people, not to bury himself in his books. His friends quickly jump on the bandwagon and help him to carry out his theories. The sacramental awareness of Patch’s roommate is questionable until we find that he is genuinely good in the end. However, Dean Walcott is up until the end a foe of Patch’s. He is concerned with the physical aspect of healing much more than the spiritual aspect of healing. In the old church, Anointing of the Sick was sometimes believed to be physical. The spiritual aspect of healing would later be brought back into effect rightfully. When Patch is treating patients in his clinic, he exhibits great sacramental awareness by simply admitting that we are a community that can help each other. He proclaims that everyone is both a doctor and a patient. Patch also nears the meaning of the sacrament of Anointing of the Sick. He heals people in a beautiful way.

English First Additional Paper 1

NATIONAL SENIOR CERTIFICATE GRADE 11 ENGLISH FIRST ADDITIONAL LANGUAGE P1 EXEMPLAR 2007 MARKS: 75 TIME: 2 hours This question paper consists of 11 pages. Copyright reserved Please turn over English First Additional Language/P1 2 NSC DoE/Exemplar 2007 INSTRUCTIONS AND INFORMATION 1. This question paper consists of THREE sections, namely SECTION A, SECTION B and SECTION C. †¢ †¢ †¢ 2. 3. 4. 5. 6. 7. 8. SECTION A: Comprehension (30 marks) SECTION B: Summary (10 marks) SECTION C: Language in context (35 marks) Answer ALL the questions. Start each section on a NEW page and rule off across the page on completion of EACH section.Leave a line after EACH answer. Write neatly and legibly. Follow the instructions carefully. Number the answers correctly according to the numbering system used in this question paper. Pay special attention to spelling and sentence construction. Copyright reserved Please turn over English First Additional Language/P1 3 NSC DoE/Exemplar 2007 SECTION A: COMPREHENSION QUESTION 1 Read the following passage and answer the questions. In the case of multiple-choice questions, write down only the question number and the letter corresponding with the answer. 1.Now 54, Sabina Khoza started her working life as a salesperson. Then the company she was working for shut down and sold their delivery vans to staff members. ‘I managed to buy eight of the kombis,' says Sabina. That was the start of her taxi fleet – which eventually grew to 17 vehicles. But crime forced her to 5 abandon her budding taxi business. In fact, sick of the hijackings and violence, Sabina decided she needed a break from township life altogether. And she didn’t have to go far! A farm was for sale in Zuurbekom, on the outskirts of Soweto. ‘It was strange,' she recalls. I’d just moved from Mofolo in Soweto 10 and started off-loading my furniture when a group of people came to help. ‘Once the work had been done, they disappeared without as much as asking for a cent. This surprised me. Township people do not do any work without being paid. ‘On the fourth day I saw these people again. I asked where they were staying. It turned out they were living on my farm. When they realised I was the 15 new owner, they begged me not to evict them. ‘ Sabina was sympathetic to their predicament, and realised she’d have to find a way to make the best of the situation.The opportunity came when her tenants approached her about breeding chickens. ‘I had never come close to a live chicken in my life,' laughs Sabina. ‘As a matter 20 of fact, I was rather afraid of chickens. ‘ Still, she bought 10 chickens and a feeder – and waited for the eggs to come. And waited. And waited. ‘Then one day a visitor told us we were actually rearing cocks without hens,' laughs Sabina. This setback didn’t discourage her, though. Soon she had her hens and had also received training in how to raise chi ckens. I remembered 25 that when I stayed in Soweto, I could only get chickens in Kliptown,' she says. ‘So I went and spoke to people in the area. Then one of my tenants went there to sell the birds. We’d spent R11,20 on each chicken and sold them at R20 each. In less than a week, we’d sold our birds. ‘ ‘Since then, we’ve been getting chicks regularly from a supplier and we’re 30 currently producing 150 000 birds a year. We also supply supermarkets with vegetables. ‘ 2. 3. 4. 5. 6. 7. 8. 9. Copyright reserved Please turn over English First Additional Language/P1 4 NSC DoE/Exemplar 2007 10.Khoza’s successful farming venture incorporates the latest technology and farming methods, and additional community projects include vegetable and maize production, as well as a guest house, which accommodates trainee 35 farmers. ‘I train members of the community and offer them opportunities as partners, not just as employees,' says S abina, who has won numerous awards, including the Department of Agriculture’s Female Farmer of the Year in 2003 and the 2004 Shoprite Checkers Woman of the Year Award. 40 ‘During the festive season, when people go on holiday, I stay at home and make money from all the Christmas bonuses people have been paid.And when all the holidaymakers have returned home, I take leave and book myself into a luxurious hotel, glad to have missed the peak season,' laughs Sabina. [Adapted from Bona Magazine] 11. 12. QUESTIONS 1. 1 1. 2 1. 3 Why did Sabina not continue working as a salesperson? Quote a phrase of not more than six words which tells you why Sabina had left the township. Refer to paragraph 2. Three of the following are likely kinds of ‘crime' in this context. Which ONE is the exception? A B C D 1. 4 Hijacking Passengers robbed at gunpoint Cash in transit heists Intimidation from rival fleet owners (2) (1) 2) The word ‘budding' (paragraph 2) implies that her taxi b usiness at this time †¦ A B C D was in the early stages of development. seemed headed for success. seemed headed for collapse. Both A and B (2) 1. 5 When Sabina said, ‘It was strange' (paragraph 3), she meant that it was strange that †¦ A B C D she didn't have to go far. the place was called Zuurbekom (instead of, say, Soetbekom). you could buy a farm so close to Soweto. the people who helped her didn't ask for any money. (2) 1. 6 What difference did Sabina observe between township people and the people on the farm?Quote a suitable sentence from paragraph 4 to support your answer. (3) Copyright reserved Please turn over English First Additional Language/P1 5 NSC DoE/Exemplar 2007 1. 7 The ‘predicament' referred to in paragraph 5, is most probably that the tenants †¦ A B C D were prepared to help off-load furniture without expecting to be paid for it. had been unaware that Sabina was the new owner. had nowhere to go if Sabina evicted them. were all unemploy ed. (2) (3) 1. 8 1. 9 Explain in your own words why Sabina's first attempt at breeding chickens was unsuccessful.Explain the meaning of the following expression as used in line 6 of the passage: ‘†¦ abandon her budding taxi business' (2) (3) (2) (4) (2) 30 1. 10 1. 11 1. 12 1. 13 Suggest TWO reasons that Shoprite Checkers probably had for naming Sabina their 2004 Woman of the Year. (1? + 1? ) What aspects of Sabina's story are surprising, considering that she is a woman? Describe any TWO incidents from this passage which show you that Sabina does not give up easily. In NOT more than 7 words, provide a title for this article which draws attention to Sabina's achievements. TOTAL SECTION A:Copyright reserved Please turn over English First Additional Language/P1 6 NSC DoE/Exemplar 2007 SECTION B: SUMMARY QUESTION 2 Imagine that you are preparing an essay on ‘Dieting and Eating Disorders'. Read the article below and extract SEVEN important points to include in your essay . INSTRUCTIONS: 1. 2. 3. 4. Write your points in full sentences using NOT more thant 70 words. Number your sentences from 1 to 7 and write only ONE fact per line. Write in correct sentences and use your own words as far as possible. Indicate the number of words you have used in brackets at the end of your summary.Note that you will be penalised if you ignore these instructions. There is a constant deadly battle between what teenagers want to look like and what they will do to get there. Teenagers fear that the weight that they’ve gained during puberty and teenage years is permanent. They panic and desperately try to lose it. Once they start losing weight, people might compliment them, which makes them feel good. They may start to believe that losing weight will make them happier, but no matter how much weight is lost, it is never enough, and they are never happy.Teenagers spend a lot of time worrying about what others think and they desperately try to conform to societyâ€⠄¢s unattainable ‘ideal' body image. They are lead to believe that if they are thin, they will be accepted. Many of them are constantly exposed to images of thin models appearing on television and in magazines. This only reinforces their belief that in order to be happy, successful and accepted, they must be thin. These factors lead to many teenagers going overboard with dieting, which can then result in eating disorders. Dieting is about losing weight gradually in a healthy way.Eating disorders are about trying to make your whole life better through eating or not eating food. Sufferers seek approval and acceptance from others and believe life won’t be good until a bit (or a lot) of weight is lost, without any concern for the damage done to their bodies. Anorexia nervosa and bulimia nervosa are two common eating disorders. Anorexia is when someone experiences a significant weight loss resulting from excessive dieting. Anorexics consider themselves to be fat, no matter w hat their actual weight is. Often they don’t realise that they are underweight.They avoid food and taking in calories at all costs, which can result in death. Bulimia is characterised by a cycle of over-eating and vomiting. A sure sign is regular bathroom visits after eating so as to induce vomiting. [Adapted from: Teen Zone] TOTAL SECTION B: 10 Copyright reserved Please turn over English First Additional Language/P1 7 NSC DoE/Exemplar 2007 SECTION C: LANGUAGE IN CONTEXT QUESTION 3: VISUAL LITERACY 3. 1 ANALYSING A CARTOON Study the following cartoon and answer the questions that follow: Frame 1 3. 1. 1 3. 1. 2 3. 1. 3 Frame 2 Frame 3 Frame 4 (1) (2)Where does the conversation between the two women in the cartoon take place? Why are certain words (perfect, lose, gain and hate) in bold print? Refer to Frame 1. Describe the speaker's facial expression, stating what it reveals about her feelings. (2) (2) 3. 1. 4 Refer to frame 4. Explain why the speaker says ‘I HATE HER! à ¢â‚¬Ëœ Copyright reserved Please turn over English First Additional Language/P1 8 NSC DoE/Exemplar 2007 3. 2 ANALYSING AN ADVERTISEMENT Study the advertisement below and answer the questions. Copyright reserved Please turn over English First Additional Language/P1 9 NSC DoE/Exemplar 2007 3. 2. 1 3. . 2 3. 2. 3 3. 2. 4 State TWO ways in which the advertiser attempts to attract the readers’ attention. Explain why the advertiser has used the word ‘overnight' in the headline. Do the dots below the word ‘overnight' serve any purpose? Give a reason for your answer. Do you consider the name of the product, Clean & Clear, appropriate? Give a reason for your answer. (2) (2) (2) (2) [15] QUESTION 4: LANGUAGE AND EDITING SKILLS The article which follows, contains a number of deliberate errors in grammar and punctuation, as well as words within brackets which indicate the writer's uncertainty about which word to use.Read it carefully and answer the following questions: DOME à ¢â‚¬â€œ THE DK PATRIOT 1. Inspired by TKZEE, Dome (has started/started) his music career in Grade Ten as the production half of kwaito group, Rossmoda. The crew soon dissolved and he formed a new one known as Scrybe. He continued doing music as a hobby until he, at The National School Of The Arts, met up with former Skwatta Kamp member, Master Sip, widely known as Ngwenya, 5 as well as a huge community of hip hop artists. ‘(Here's/Heres) were I cut my teeth,' Dome says, ‘because the level of competition was so high. Dome started making tracks at the old Skwatta Kamp studio in Leondale. He simply (couldn't/can't) aford the rates and got hold of a sampler that had belonged to Jo'burg beat legend, Iko. Connecting Iko's sampler to his 10 father's hi-fi, Dome was able to produce at the alarming rate of a hundred and fifty beats a week. Dome says, ‘I got into the circle of current hot properties from Soweto and I was able to assemble a host of artists for my first produc tion series, Domestic Violins'. 15 ‘I sold the album out of my backpack and with the money I made, I bought my studio,' says Dome.Dome continues to single-handedly direct the musical score of the South Western Townships. To a number of artists, his music has proved to be the key to massive airplay. To us, the DK patriot (holds/hold) the key to the 20 future of Soweto hip hop. [Adapted from: Hype Magazine] 2. 3. 4. 5. Copyright reserved Please turn over English First Additional Language/P1 10 NSC DoE/Exemplar 2007 4. 1 Choose the correct word from those in brackets. Write only your answer next to the question number (4. 1. 1 – 4. 1. 3) in the answer book. 4. 1. ‘Inspired by TKZEE, Dome (has started/started) his music career in Grade Ten as the production half of kwaito group, Rossmoda. ‘ (Lines 1 – 2) ‘(Here's/Heres) were I cut my teeth,' Dome says. (Lines 6 – 7) To us, the DK patriot (holds/hold) the key to the future of Soweto hip hop. à ¢â‚¬Ëœ (Lines 20 – 21) (1) (1) (1) (2) (1) (1) 4. 1. 2 4. 1. 3 4. 2 4. 3 4. 4 4. 5 Explain why TKZEE, Rossmoda, Scribe and Skwatta Kamp are written in italics. The word ‘were' (line 6) has been used incorrectly. Replace it with the correct word. Give the correct spelling of the word ‘aford' in paragraph 2 (line 9).Provide the correct form of the word within brackets in the following sentence: Dome is a (success) artist in South Africa. (1) (1) 4. 6 4. 7 Provide a synonym (word similar in meaning) from the passage for the word ‘began'. Choose the correct word from within brackets. My dad thinks rap music is the (worse/worst) kind of music he has ever heard. (1) 4. 8 Complete the following sentences by choosing the correct preposition from the list given below. Write only the question number (4. 8. 1 – 4. 8. 2) and the answer. by; of; with; for 4. 8. 1 4. 8. 2 Dome was influenced †¦ Skwatta Kamp. I am a gread admirer †¦ Dome. (1) (1) 4. 9Ident ify the parts of speech of the underlined words in the following sentence: Dome said, ‘I sold the album out of my backpack. ‘ (1) 4. 10 Change the following statement to a question to which the underlined part would be the answer: Dome said that he was going to perform in Durban. (1) Copyright reserved English First Additional Language/P1 11 NSC DoE/Exemplar 2007 4. 11 Give the antonyms (words opposite in meaning) of the underlined words in the following sentence: Dome has sold many albums in this country. (1) 4. 12 Give the opposite gender of the underlined word in the following sentence: He met the manager of the studio. 1) 4. 13 Write down the plural form of the underlined word in the following sentence: Dome met a huge community of hip-hop artists. (1) 4. 14 Replace the underlined phrase with a single word: The award for the best hip-hop artist is presented once a year. (1) 4. 15 Fill in the missing word in the following sentence: I love Dome's music. He is my †¦ artist. (1) 4. 16 Rewrite the following sentence in reported speech: Dome said: ‘I sold the album out of my backpack. ‘ TOTAL SECTION C: GRAND TOTAL: 20 75 Copyright reserved Please turn over

Accepted Arguments for Urban Walkability

Introduction The theodolite oriented development attack is being adopted by many metropoliss around the universe, peculiarly those contested with transforming their auto dependant vicinities into more habitable and sustainable developments. The simplest manner to depict the rules of TOD harmonizing to Calthorpe ( 1993 ) is â€Å"moderate and high denseness lodging, along with complementary public utilizations, occupations, retail and services, concentrated in assorted – used development at strategic points along the regional theodolite system† . Yet, much as connectivity to regional significance through theodolite is of import, it is the communities’ close interaction, supported by a walkable environment that Calthorpe claims is the â€Å"key aspect† of any booming TOD. Over the old ages, prosaic friendly design therefore generated considerable involvements and a important sum of literature and influential policy on urban walkability in TOD’s were developed in the Western world’s temperate urban zones. Soon, nevertheless, many of the world’s fastest developing urban countries are found in semitropical latitudes ( O’Hare,2006 ) . Western Australia, and peculiarly Perth, the urban Centre of the part is one such instance and serves as the focal point of this research. The paper explores the cardinal facets and physical qualities of built environment related to urban walkability with an purpose to promote farther treatment and surveies on how semitropical TOD’s can be designed to heighten prosaic motion every bit good as inquiry whether the orthodoxy of bing urban design rules require some changes to better accommodate to semitropical parts. The paper establishes the recognized statements and urban design rules indispensable to urban walkability and develops from a reappraisal of urban design & A ; sustainability, a model that would promote pedestrians’ motion and conveyance waiting in a semitropical TOD. A literature reappraisal is produced to corroborate the turning importance of walkability and finally the paper explores, through field observations, how the established urban walkability rules apply in the semitropical parts. It concludes by giving some recommendations that could be applied to Claremont town Centre for an improved prosaic friendly TOD. Accepted statements for urban walkability + Literature reappraisal Recognised as the oldest signifier of urban conveyance, walking is a manner of meeting and prosecuting with the local milieus and wider society in a mode non rather possible when following other agencies of conveyance, particularly centrifugal conveyance. Gehl & A ; Gemzoe ( 2003 ) , strongly highlight walking as a solution to breaking the public land as portion of the sweetening of the local vicinity and urban greening. With emerging concerns that auto dependent metropoliss will non be sustainable in the hereafter, due to energy costs, fuel handiness, congestion, pollution and other environmental impacts, much consciousness is being raised about the importance of walking. Harmonizing to US researches, surveies show that there is a 30 % more likeliness that compact-mixed usage development occupants would walk ( to a restaurant/park ) than those populating huge motor-oriented environments ( Cervero & A ; Radisch,1996 ) . Hodgson, Page, & A ; Tight ( 2004 ) besides conclude from their research that that TOD’s with appropriate design lead to more prosaic and transit trips ensuing in a diminution in non-motorised transit manners to cut down pollution emanations In concurrence to sustainability issues, the intra-generational equity theory and policy besides acknowledge that a major portion of the population constitutes of people who are highly immature, old, unhealthy, disabled or needy to hold entree or control over a private auto ( O’Hare,2006 ) . Recently, considerable involvement in improved walking environments has been generated as a consequence of the desire to promote nonmotorized transit manners to cut down pollution emanations and to better public wellness by increased degrees of walking ( Evans-Cowley, 2006 ) . A big organic structure of research has confirmed that a favourable walking environment is a necessary status for advancing walking and vicinity interaction ( Clifton, Smith, & A ; Rodriguez, 2007 ) . Public wellness The World Health Organisation ( WHO ) Charter on Transport, Environment and Health every bit good as the WHO Healthy Cities Program have recognised the prominence of urban walkability long before the urban design and planning Fieldss. The public wellness sector recognises that ‘active transport’ ( such as walking, including walking to the coach or train ) involves incidental physical activity. This incidental physical activity is an of import constituent of active life ( O’Hare 2000 ) . Active life, together with a healthy diet, has the possible to change by reversal current international tendencies towards sedentary life styles and the attach toing wellness hazards associated with fleshiness. Australia has been rated by different bureaus as one of the world’s top four states for fleshiness. Give that much of the world’s urban population growing is happening in the tropical and semitropical zones, it is of import to analyze urban walkability rules with peculiar attending to conditions in those non-temperate climatic zones. A Perth survey found commuters utilizing public conveyance accumulated seven times more exercising than private automobilists The prevalence of fleshiness in Australia has more than doubled in the last 20 old ages: 52 % of adult females, 67 % of work forces, and 25 % of kids are fleshy or corpulent. Urban walkability rules in Tod: Jacobs ( 1960 ) spelled out about half a century ago that urban design qualities associating to the quality of prosaic experience are indispensable to back up walkability. â€Å"Active frontages† and â€Å"eyes on the street† were recognised as few of the many important facets. Based on the best patterns from around the universe, 8 rules critical to making walkable TOD’s are identified in this paper. 1. WALK – Developing attractive prosaic environment ensures handiness and mobility for all. 2. PLACE-MAKING – Making a sense of topographic point makes encourages prosaic activity and liveability. 3. CONNECT – Making heavy webs of theodolite paths consequences in a high grade of connectivity. 4. TRANSIT – Locate land uses so that they are transit supportive and close to high quality conveyance. 5. MIX – Planning for assorted usage will advance prosaic involvement, safety, 24 hr activity. 6. DENSIFY – Sufficient denseness and compact signifier make theodolite feasible and improve walkability. 7. COMPACT – Planing for compact countries with short commutes improves efficiency. 8. Switch – Controling the amount/location of parking additions mobility. It is nevertheless of import to understand that although listed separately, for a development to go genuinely transit oriented, we must be able to film over the boundary between these rules so that they are all interconnected Urban design theory and pattern guidelines for walkable topographic points were largely developed in metropoliss located in the temperate climatic zone. In the semitropicss, summer is the season of uncomfortableness for Walkers, whereas in temperate metropoliss it is the winter that brings uncomfortableness to urban walkers. The coastal semitropical metropolis lacks the icy winds, snow, sleet, hoar, and other winter uncomfortablenesss of the temperate metropolis. The pleasant winter prosaic conditions of the semitropical metropolis are offset, nevertheless, by the summer challenges of heat, humidness and blaze. The following subdivision of this paper explores the demand for an ‘intemperate’ attack to accomplishing urban walkability in the semitropical metropolis Urban walkability in semitropical TODs – Model It is of import to understand that in the fast turning semitropical urban parts of the universe, clime and local topography are influential elements associated with walkability. Traveling at a slower gait, walkers are prone to detect many more perceptible inside informations and are exposed to the environing elements and climatic factors. Protection from Sun, rain, humidness or heat must hence be taken into history when be aftering a prosaic environment. Pulling on research and maintaining in head the factors associated with semitropical urban parts, a model of urban design rules is developed as schemes that would outdo enhance prosaic motion or waiting in semitropical TOD’s. The cardinal factors to doing walking appealing are grouped in three major classs: SAFETY, ACTVITY AND COMFORT. Figure 1 – Framework Venn diagram, 2014. Figure 2 – A balanced street has ample pavements, comfy motorcycle installations that connect to a web, and safe ways to traverse streets, doing active transit possible even on larger roads. Image by EMBARQ. Stimulating walking necessitates that these travelers can travel about efficiency, comfortably, and most significantly, safely. Physical design schemes that could be implemented in the ‘Safety, Activity, Comfort’ model are discussed below: Safety: 1. Guaranting wider pavement can supply for easy prosaic motion and at the same clip advance commercial activity/interaction 2. Removing physical or sensed barriers to guarantee that the walker has level and obstruction free set of pavement – â€Å"pedestrian zone† 3. Supplying prosaic oriented quality illuming that illuminated their waies will add to the walker’s sense of safety 4. Responsive walk marks at traversing visible radiations designed with better timing and automatic changing to prioritize the demands of walkers, raised intersections, mini traffic circles or velocity bulges will promote safe motion. Activity: 1. Well-connected streets guarantee that occupants can conveniently entree all parts of the TOD, therefore triping the street usage. 2. Developing mixed-use street active frontages promote safety, security and Foster vibrant societal life in the streets. 3. Attractive infinites with edifice orientation to the public street, ocular involvements, constructing articulation and landscaping encourage walkers to garner and linger 4. Way happening aids/proper signage must be implemented to assist people orient themselves and promote motion through unfastened public countries. 5.Transit Stationss should be activated by cafe/newspapers bases or other installations to do conveyance waiting wothwhile Comfort: 1. The usage of shelters in prosaic and transit areas/stops allows for uncomfortableness decrease and provides remainder for walkers. 2. Provision of pathway sunshades, arcades, and other conditions protection at least at certain intervals will function as shelter from Sun or showers. 3. Supplying a high grade of street comfortss ( benches, refuse tins, imbibing fountains ) and resting topographic points will rise the image of the street and pull all demographics to comfortably linger. 4. Equally good as supplying a solution to the heat & A ; humidness, street trees shade and protect walkers from the rain. John walkers can besides be protected from autos when verdure is carefully designed along kerb. 5. Sidewalk with a width proportional to the graduated table of the TOD country and planned walkability degree ensures comfy walking experiences for everyone. Case surveies Subiaco City and Claremont Town Centre, selected as instance surveies for this paper are recent both theodolite oriented countries developed in Perth part with a railroad line go throughing through. The survey country boundaries for each include the country within an 800-metre radius environing the train station. Subiaco metropolis -Subiaco, known as Subi is a historic inner western suburb located around 3kms from Perth CBD and is focussed around a lively retail strip of Rockeby route. The Subi Centro undertaking embracing the North and West of the Subiaco railroad station began in 1994 and incorporated many new homes, concern Centres and commercial infinite. An of import facet was the undergrounding of the railroad line which in the yesteryear divided Subiaco. As an example of urban regeneration back uping its heritage context, the undertaking achieves a high quality public kingdom. Claremont Town – Claremont Town Centre, another western suburb finds itself midway of Perth CBD and Fremantle port on the north bank of Swan River. Claremont Town Centre is a important shopping country concentrated around St Quentin’s Avenue/Bay View Terrace and located South of the Claremont train station. The Claremont North East Precinct undertaking is an ongoing undertaking started in 2005 as an enterprise to revitalize the Northern portion of the town which is presently disconnected from the southern portion. It aspires a vivacious mixed used development around the Claremont football ellipse as a measure towards societal, economic and environmental sustainability. The intent of this study, being to measure and heighten the quality of prosaic environment, 3 methods is used to garner information: 1. Ped-shed analysis is conducted at a 400m radius ( 5 min walk ) and an 800m radius ( 10 min- walk ) 2. SAFETY-ACTIVITY- COMFORT appraisal sheet is used to rate physical micro – attributes of the built environment on the streets. 3. Experimental analysis of the site – pictures/personal experience DATA ANALYSIS The information collected from these were used to measure to what degree the factors discussed in the model and considered influential to walkability are either present or missing in these two survey countries. Pedshed ratio Analysis of the connectivity of both TODs was assessed through the ped-shed ratios calculated. A comparing of the two diagrams that Subiaco’s street grid web provides many waies and affiliated streets, promoting them to walk and be within short walking distance of the train station. Claremont on the other manus, lacks this grade of prosaic connectivity and offers limited path pick to the individual walking. After analyzing the connectivity of each site, visuals were gathered from field observations to compare one to another. The Safety-Activity-Comfort assessment sheet was so used to analyze and rate each class. Key findings As seen from the evaluation, Subiaco metropolis stands out footings of supplying certain positive physical street elements that affect walkability. Observation from field analysis showed that street frontages on streets next to the train station were rather lively and extremely articulated. Seating countries, illuming, verdures and shaded musca volitanss contributed to pulling prosaic activity in the country. It was gathered from observations and research that Subiaco’s success as a prosaic friendly vicinity was besides due to the fact that the City of Subiaco Councillors had established a vision statement of â€Å"The Best Main Street Village in Australia† for the country. Rockeby street, in this respect, was developed as a topographic point to come back to alternatively of merely being a theodolite street and development tendencies, chances and alterations were carefully thought of so as the area’s alone ‘sense of place’ was preserved. Famously advocated by Toderian ( 2014 ) as â€Å"streets that are for people to bask and linger, non merely travel through..places that are both ab initio attractive and ‘sticky’ , ask foring people to love it and non desire to go forth it† , positive thoughts of gluey street construct seems to hold been successfully adopted in planing Subiaco’s chief street. With the aim of be aftering non mere ly for the substructure and public conveyance, but besides the stores, coffeehouse and the people, Rockeby Street has flourished as iconic community hub of societal, civic and commercial activity with public infinites as focal points. On the downside nevertheless, field observations besides indicated a figure of vacant stores or those in the procedure of shuting down in Rockeby route retail strip. High rental rates, competition from nearby precinct and over restrictive licensing policies has caused a diminution in cafe/retail strips and a 5 % retail vacancy rate in the country ( Tsagalis2012 ) . It was besides found that an alfresco dining license in Subiaco was more expensive than Western Australia’s norm and compared to a study of local authoritiess in Perth and the eastern provinces ( Law, 2014 ) .Mayor Henderson ( 2014 ) has approached this issue saying that â€Å"We are cognizant that council needs to step up to the home base and do some alterations in order to make the plangency in the chief street in Subiaco† . In an attempt to promote more local concerns to run street trading/ alfresco dining countries to revitalize a spirited street and safe environment for the community, the council of the City of Subiaco has late resolved to amend bing associated fees. As of 31st October 2014, a noteworthy decrease in application/licensing fees, a m2 footing fee and the induction of low-priced short term options will be available for Subiaco retail merchants and it an addition in street activity is expected. While Claremont Town Centre signifiers portion of a outstanding retail country, it comes chiefly in the signifier of indoor promenades which attract the walkers inside instead than being on the route. The chief theodolite next route, Grugeri Street, has a space wall facade with limited or no prosaic activity. The street is besides really limited in term of comfort since the sunshades size is excessively little to supply shadiness or shelter. Bus tops and street comfortss besides lack assortment and sweetening to pull people to linger. Recommendations Apparent from the experimental audit and findings is that Claremont Town Centre has many physical failings in footings of walkability in a semitropical Tod. Because similar failings may be other western Australian TOD’s, some recommendations may use for multiple sites and can be used as a usher for enhanced walking experiences. It was revealed from the site observations and findings of these 2 TOD’s in Perth that there is some manner to travel before Western Australia can claim to hold a truly sustainable attack. Having established that urban walkability is critical to accomplish a sustainable semitropical TOD, it is of import for TOD contrivers to be able to follow a revised model of rules sing the physical environment attributes that would work best for semitropical Perth parts and unify them with new advanced design schemes which would farther heighten walking in Perth. It is besides of import for town/city contrivers to reexamine regulations and ordinances in order to increase plangency in TOD’s instead than being over restrictive. Decision Having established that a successful TOD walkability is straight associated with a safe, comfy and attractive prosaic environment, this paper demonstrates that careful physical planning and good urban design solutions can really much enhance the pedestrian’s experience. It inquiries the demands of a semitropical metropolis in term of its clime, topography and individuality and so explores a model of revised walkability rules that can be applied to the semitropical metropolis. The instance surveies reveal responses and challenges to urban design for walkability in Perth and certain successful elements are recommended as schemes to better Claremont’s TOD in footings of walking experience. It besides inquiries whether over restrictive be aftering policies may necessitate to be reconsidered to maintain a TOD street alive and vivacious. It besides recommends advanced schemes of urban design that other undertakings may copy or accommodate in portion for design and place-making attacks to give a alone sense of topographic point to the semitropical TOD. Although each hereafter TOD will cover with the legion complex design challenges depending on peculiar fortunes around each undertaking, it is the purpose of this paper to excite treatment and hopefully more significant research into the planning of walkable semitropical metropoliss since so many of the world’s most quickly turning urban countries are now situated in the tropical and semitropical zones.

Looking at the opening scene of Romeo and Juliet Essay

Romeo and Juliet’, a play originally written by William Shakespeare in 1595 – 1600 is a tale of love and tragedy involving two young people who fall in love, but find it ends in disaster due to their age old family feud. This play had been directed as a film in 1968 starring Olivia Hussey, but never before has it been modernised as a film. By choosing to do this the problem that faced Baz Luhrman when he was directing the film version of ‘Romeo and Juliet’ was that he could not predict whether there would be an audience for Shakespearean stories in a modern culture. Particuarly as the age group he was targeting were those who would probably still be at school, where Shakespeare had been stereotyped as ‘boring’. This problem was tackled by updating the swords involved by replacing them with guns, adding a famous cast known to the particular chosen age group and backing the film up with modern music. The opening scene of Baz Luhrman’s ‘Romeo and Juliet’ begins with a screen of black, and a very small television screen in the centre. As the shot continues the camera zooms in on the television screen that is showing a coloured female newsreader, with a plain background and a split ring in the top right hand corner. This entrance to the first scene of the film forces the audience to concentrate on the film by introducing it slowly, making you feel anything missed will detract from the film’s impact. The newsreader is dressed in red, the classic colour of love, danger, passion and blood, and the ring split in two with the words â€Å"Star-crossed lover† subtly introduce the main themes of the films while the audience is focusing on what the newsreader is reporting. The screen around the television is black, focusing all attention on the newsreader, and her voice is quiet and sounds almost muted while she talks of the feud of Verona, re-enforcing the director’s obvious wish to capture the attention of the viewers. With this red on black theme it seems to represent the blood and tragedy of the story of Romeo and Juliet on the rest of the town, and almost shows the final tragic word on the darkness of the two feuding families. From this opening, though the newsreader does not directly speak of the main characters, Romeo and Juliet, you feel as if the feud is already familiar before entering in to the actual film. The change from the first scene to the second is a very quick jump cut. The camera zooms very close in on the newsreader tilting, and jumps through to a street in Verona, travelling down it and coming to a halt at a large statue of Jesus, but only allowing you a very quick glance before switching to a black screen with the words â€Å"In Fair Verona† in large white capitals at eye level. It then jump cuts back to a the same picture of Jesus, but this time it is a closer shot, and holds for a bit longer, before very quickly zooming back to show the statue in between two sky scrapers, one named â€Å"Capulet† in red, and one named â€Å"Montague† in blue. The buildings are the highest in the street, and with the statue in between them seem very important and noble, informing the audience of the family’s wealth and power, and also of their rivalry. The statue standing dead centre between the two towers shows that while religion is important in this story, and does to a certain extent act as a barrier between the two families, it is much smaller then the buildings, symbolising that their feud may prove stronger then their religion. The next shot is a jump cut on to the camera moving on to the streets of Verona, and a tracking shot of a police car with the words â€Å"Verona Beach† written down the side. This shot of the police car informs the viewers that police are involved, and the place the play is set in is called â€Å"Verona Beach†. Once focused on the car the camera tilts and zooms out, jumping in to a zoom in shot of the same statue of Jesus, which it zooms in on, jump cuts back to a second shot and zooms in again, this time blurring the statue. This blurring shows the disregard held by the families towards their religion as the feud gets greater. The scenes by now are moving very quickly and are very separated, not flowing smoothly at all. It is quite difficult to keep with the speed at which the film is moving, Luhrman once again trying to keep the audiences attention. Following on from the blurred shot of the statue, the camera, remaining blurry, focusing in turn, on the signs above each building, reading first â€Å"Capulet† in red and then â€Å"Montague† in blue. These choices of colour cause you to question whether or not the Capulet family are more ‘fierce’, with their name in red. You then get a tracking shot of a police helicopter against what you assume to be a church, and the city of Verona. Again re enforcing the religion verses law theme that is apparent throughout this film in Verona. Following this is a zoom in shot of a person lying on a mattress in the street surrounded by dirt and people in black. Through this shot you assume the person involved is injured, showing the severity of the feud. Again, jump cutting to the next scene, though seeming to slow the pace slightly, you get an aerial tracking shot from the helicopter with the diagetic sounds of the propellers, of a large statue of the Virgin Mary standing with open arms. Quickly moving on through a jump cut the statue of Jesus seen before is briefly shown, before zooming in on his face, although it is made up of many small dots, and shown in dark grey and black. This shot is held and zoomed out to reveal a ‘family tree’ with both families on it, starting at the top with ‘Ted Montague’ and ‘Fulgencio Montague’. Symbolic of the hatred that is passed down the family through each generation. The music up to this point has been very loud and ‘menacing’, increasing in volume when what I see as ‘relevant shots’ are held. The lighting has been bright throughout, all shots set in the day, and there have been no characters introduced until the family tree. The beginning shots seem to be more introducing the place and the themes than the characters themselves. The layout of this tree implies that the rivalry started between these two men and has been passed down through the family. With the statue of Jesus with open arms set between the two families reminds us of the strong religion present in the city, and the grey colour of the pictures and background sets in almost like a cloud of grey, strongly contrasting with the colour we have seen in the previous scenes. As well as being the first shot of the characters, also introduced in this scene is the first voice since the newsreader, although this time it is non diagetic, in the form of a voice over. The music reaches a climax and then fades away to a quiet backing for the deep male voice commenting on the family trees in front of us. The shots of this ‘tree’ are broken up by shots of fire and newspapers titled â€Å"Montague vs Capulet†, and while the speed of the changing shots has slowed down, now dissolving in to each other, Luhrman makes up for it with the impact of the shots he is using, you need more time to look at each one then before. Coming off the newspaper shot using dissolving and fire, we see the familiar screen of black with white text reading â€Å"In Fair Verona†, reminding us of the setting while looking in to the characters, as seen before when the city was being introduced and we were shown the names of the families. This subtle mixing of the two is very effective in showing the strong relationship between the setting and characters, and the effect that they have on each other. This phrasing of â€Å"Fair Verona† is ironic, as although we are being told the city is fair, we are shown only violent shots of the goings on and only ‘controversial† shots of the place itself. Moving on from the text shot we are shown a series of tracking shots of Verona, similar to those shown before, combining diagetic sounds such as the helicopter propellers with non diagetic such as the voice over. We then get another still shot of a newspaper reading â€Å"Ancient Grudge† followed shortly by a third newspaper reading â€Å"New Mutiny† and a picture of one of the young Montague boys. This â€Å"ancient grudge† followed by â€Å"new mutiny† re enforces the idea of the feud being passed down the family that we were introduced to through the family tree. The text is also in older style writing, showing that such an old thing has carried through in to modern day. This picture of the young Montague holding a gun is the first we see of the younger generations of the families, and it is associated with anger through his face and death through his gun. The next newspaper clip we get is â€Å"Civil blood†, also read out to us by the voice over, this emphasises the fact that the brawls caused by the families do not only affect themselves, but the rest of Verona. We are shown a tracking shot of a middle ages coloured man wearing helicopter equipment against a dark background, fitting as the shots seem to be getting darker, set later on in the day. The word ‘Police’ is shown in large white text against black, symbolising their affect on the feud, good on bad or clean on dirty. There is then a series of shots of Verona and magazines with bullets on the covers, showing how much violence there is in the city. It is made out to be a loud, busy dangerous place reflected in the characters themselves. The feuding families seem to sum up the rivalry present within the city, Religion verses hatred, Law verses war. Although you may argue that at this stage you are unable to establish whether it is the place reflected through the characters or the characters strife being the reason for the way the place is. We then get our first shot of a man and a woman in a black car, both look drawn and very worried. Jump cutting through to a shot of a second couple, obviously the other family, recognisable only because of the quick glance we got of the man on the family tree. This creates a broken up image of the families, imposing the idea that the families ‘get in the way’ of each other. As the music builds up again there are two screens of just text, when put together reading â€Å"A pair of star crossed lover take their life†. The ‘T’ in the ‘take’ is actually a cross when you look at it, bringing religion in to death. At this point the voice over is stopped and the music becomes loud again. Following the text the camera then jumps from one to another introducing through text and a frozen image of each character, the Capulets, the Montagues, both with the under text ‘Romeo’s mother/father’ and ‘Juliet’s mother/father. To follow we meet the chief of police ‘Captain Prince’, the Governor’s son ‘Dave Paris’ and ‘Mercutio’, Romeo’s best friend, in a provocative position with his face angry and his finger pointed with a gun on him. Each character has a shot held on them for about 5 seconds before jumping straight on to the next. As the music builds up we see a pair of eyes, later recognised to be those of Romeo Montague, pushing the door of a church open to reveal light and flowers, portraying the church as a place of sanctity. This relates to the theme of religion present throughout the film, and it also gives a preview of the place in which the lovers lives end. Luhrman would have realised that as ‘Romeo and Juliet’ is such a widely read play the majority of the audience would know then ending of the film, thus giving him a lot of scope to play around with previews of the rest of the film. The music quickens pace and very quickly we are run through the text previously shown and spoken but at a speed that it is not supposed to be read. This is followed by shots of fireworks, choirboys singing high piercing notes almost as a climax, guns shooting showing violence, main characters and eventually finishes on a black screen with â€Å"William Shakespeare’s Romeo and Juliet†. This creates a point of high climax, quickly let down by the still almost ‘dead’ screen in comparison to previous shots. The mention of William Shakespeare is the first we hear of the author, and in mentioning him Luhrman has made himself seem almost modest, discarding any impression made implying that it is Luhrman’s own play. The title then moves off the screen to the left and the film begins. As an opening sequence for this particular film I find it very effective. The setting of such a film in modern day would have proved very difficult, but the replacement of swords by guns has a huge impact on its success. The violence is portrayed well and you learn just about enough to follow the film as it opens but not enough to know what happens between now and the death of the characters. I like the way Luhrman lets the audience know the resulting death of the characters, but he does not say who dies. This builds up an immense suspense throughout the film. This introduction is done in such a way that it will captivate almost everyone’s attention through moving so quickly and creating such a tense atmosphere.